
How Gail Captures Parasocial Relationships through an Our Lady Peace Fan’s Eyes
An interview with Gail director Michael Maxxis on hitting the road with the ultimate Our Lady Peace fan. .
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An interview with Gail director Michael Maxxis on hitting the road with the ultimate Our Lady Peace fan. .

Remembering Patricio Guzmán, the Chilean documentary master who gave voice to the voiceless in films like The Battle of Chile and The Pearl Button. .

An interview with Rehearsals for a Revolution director Pegah Ahangarani on her award winning documentary about the fight for freedom in Iran. .

Matt Barats' effort to do the John Wilson/Nathan Fielder thing doesn't really work in Anchors Aweigh , a meandering and unfunny exercise in self-indulgence. .

The five filmmakers participating in the NFB/TIFF Redefined series share the perspectives and processes that shape their take on what it means to belong. .

Tehran, Under the Skin is an intimate documentary that explores the world of cosmetic surgery in Iran and a land of contradictions. .

Alex Gibney synthesizes the clear and present danger of Elon Musk's ascent to power and our own powerlessness in the face of it. .

Darren Dale's true crime documentary series 2.6 Seconds: Death in the Outback examines the death of Kumanjayi Walker, an Indigenous man killed by overzealous police, and the systemic racism that surrounds the crime. .

Edward Said: Between Worlds director Maiken Baird and producer Sarah Mowaswes discuss their doc about the writer and Palestinian activist. .

Lacey Schwartz Delgado's Re/Pair seeks to mend divides between Black and Jewish communities through dialogue. .

Families confront the power of goodbye and debate medical assistance in dying (MAID) in Sophie Deraspe’s The Final Act . .

Nineteen duos, one Black one Jewish, discuss cultural tensions openly and passionately in Lacey Schwartz Delgado's Re/Pair . .